| Everesz'
previous Nina Zero novels are worth checking out; find the origin
of this modern heroine in the brilliant ShootingElvis, and then
find out how she got into the papparazzi game in Killing Papparazi.
|
|
Some stories could only take place in L.A., a place referred to
by Robert Eversz as a “city of unbearable beauty and dread.”
Digging James Dean, the latest novel featuring the exploits of Nina
Zero, parolee and paparazzi, hot on the trail of another scoop for
everybody’s favorite tabloid, Scandal Times, is just
such a story. This time around, Nina is after a shadowy group responsible
for stealing the bones of long dead celebrities such as James Dean
and Rudolph Valentino. Even after befriending a teenage runaway
and erstwhile member of that nefarious organization, Nina is not
sure quite what their agenda is. Are they merely harmless weirdoes
interested in cloning their heroes from the aforementioned stolen
body parts? Or are they somehow involved in a world-wide trade of
celebrity remains, much like the traffic in religious artifacts
that took place during the middle ages? Whatever the self-proclaimed
“Church of the Divine Thespians” is up to, it’s
far more sinister than even Nina suspects. First, the photographer’s
long-lost sister is found dead at the base of a set of steps leading
to a mausoleum in the Hollywood Forever Cemetery. It’s only
after Nina has to rescue the niece she never even knew she had from
the clutches of a maniac who claims to be both a descendant of Aleister
Crowley and a devotee of L. Ron Hubbard that she begins to see things
for what they are. Not even the most lurid tabloid speculation can
match what she and her toothless Rottweiler are really up against.
Some readers
will be disappointed by the plot of this novel. It is convoluted
and, in places, wanders (literally) all over the Hollywood Hills
without ever really going anywhere. What drives this story, and
what ultimately redeems it, are the characters. The bit players
are fascinating and quirky – from the aging paparazzi, “Vulch,”
Nina’s sidekick and\Scandal Times editor Frank Adams,
to the ever-smarmy but fading action star, Chad Stonewall. And,
of course, there’s Nina herself, born Mary Alice Baker, and
truly a “tragically hip” antihero for the new millennium.
A convicted murderess, world-weary at the age of thirty, and the
product of an abusive and dysfunctional family that makes the Manson
clan seem like the Waltons, Nina’s essential goodness and
sense of fair play nevertheless still shine through her desperation
and her hard-as-nails façade. She carries a crowbar looped
through her belt and keeps a back-up camera tucked down her boot.
But she also spends her last dime buying a sack of burgers to feed
both her dog and a young girl living “rough” on the
ole’ boulevard of broken dreams … a street with which
Nina is herself well acquainted.
Perhaps even
more remarkable than the characters is Eversz’s prose. Direct
as a knee to the groin and beautifully poetic in turn, there are
passages in this book that will set your nerves on edge and others
that will leave you nearly breathless with their lyrical power.
Consider, for example, Nina’s description of the lights of
L.A. as she sits on stakeout in the darkness beside Griffith Park
Observatory above the city:
Viewed from
above the lights cascade down the hills like froth on the curl
of a wave breaking upon a long, flat sheen of sand; streetlamps,
arc lights, flashing and static neon signs, fluorescent office
and incandescent house lights, and everywhere at every hour of
night the bright heads and red tails of automobiles flowing through
the freeways and surface streets like tropical fish in an aquarium
of lights. Whenever the city irritates me I climb the hills and
fall in love again.”
If Chandler
was, in one memorable description, “a slumming angel …
[investing] the sun blinded streets of Los Angeles with a romantic
presence,” what do passages like this make Eversz?
It’s also
worth noting that much of what goes on in Digging James Dean presupposes
some knowledge of the events in the previous novels in this series.
That being said, the author does a fair job of bringing even absolute
newcomers up to speed. The bottom line is that fans of the series
will be able to jump right into this book. Others will have to work
a little harder to get acclimated but should have things sorted
out sufficiently thirty or forty pages into the text.
Digging James
Dean is an offbeat and outrageous novel. It’s just the kind
of thing that Nina Zero fans have come to love and expect from the
gifted but twisted imagination of Robert Eversz. The thing is it’s
also a novel about hope, about overcoming despair and about redemption.
Although not without its problems, you’ll have to go lot farther
and fair a lot worse before you find another book that puts such
a serious message in such a stylish, madcap and entertaining package.
As the saying goes, only in L.A.
|