AUTHOR
BIOGRAPHY
Jim Clar is a 46
year-old teacher and freelance writer who lives in upstate
New York with his wife. His articles and reviews appear regularly
in the pages of MYSTERY NEWS as well as in other genre-oriented
(mystery), travel and literary magazines." |
"What
Chandler has crafted here is a brilliant scene rich in atmosphere
and local color." |
"Todd
had succumbed to carbon monoxide poisoning sometime early
in the morning of the previous day" |
|
"
Los Angeles County Sheriff’s and LAPD officials engineered
one of the most successful cover-ups in the history of Tinseltown" |
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In
Raymond Chandler’s 1940 novel, Farewell, My Lovely, PI and
hardboiled icon Philip Marlowe accompanies Lindsay Marriott on an
errand. The latter’s lady-friend has had a priceless Fei Tsui
jade necklace stolen from her and Marriott has a date to “buy”
it back from the thieves. The dandy hires Marlowe to act as his
bodyguard during the transaction.
The detective’s
client lives on Cabrillo Street in Montemar Vista. Chandler describes
that neighborhood as, “ … a few dozen houses of various
sizes and shapes hanging by their teeth and eyebrows to a spur of
a mountain and looking as if a good breeze would drop them down
among the box lunches on the beach."(1) To reach Marriott’s
home, Marlowe parks his car in the lot of what had been a popular
LA area landmark of the 1930’s, Thelma Todd’s Sidewalk
Café, located on the Pacific Coast Highway between Malibu
and Pacific Palisades. From that spot, access to Cabrillo Street
is gained by climbing a long stairway up the side of the aforementioned
mountain. With his trademark use of lush and expressive metaphor,
Chandler paints the picture as follows:
Above the
beach the highway ran under a wide concrete arch which was in
fact a pedestrian bridge. From the inner end of this a flight of
concrete steps
with a thick galvanized handrail on each side ran straight up the
side of the
mountain. Beyond the arch the sidewalk café … was bright
and cheerful inside
but the iron-legged tile topped tables outside under the striped
awning were
empty … I drove past and gave the café my business
to the extent of using
its parking space. I walked through the arch and started up the
steps. It was
a nice walk if you liked grunting. There were two hundred and eighty
steps
up to Cabrillo Street. They were drifted over with windblown sand
and the
handrail was as cold and wet as a toad’s belly. When I reached
the top the
sparkle had gone from the water and a seagull with a broken trailing
leg was
twisting against the offsea breeze. I sat down on the damp cold
top step and
shook the sand out of my shoes and waited for my pulse to come down
into
the low hundreds. (2)
What Chandler
has crafted here is a brilliant scene rich in atmosphere and local
color. This minor episode becomes even more interesting and evocative,
however, when one discovers the lurid and mysterious past associated
with Thelma Todd’s Sidewalk Café. Indeed, the story
of that trendy establishment and of Todd’s bizarre death there
in 1935 reads like the plot from one of Chandler’s own novels.
Who knows, perhaps that history was part of the reason that the
author chose to use that particular locale in Farewell, My Lovely
in the first pace?
Thelma Todd,
who became known as the “Blonde Venus” and the “Ice
Cream Blonde,” was an enormously popular actress working principally
for Hal Roach Studios during the late 1920’s and the early
1930’s. Appearing in over forty movies(3) between 1926 and
1935, Todd was best known for her roles in comedies such as Horse
Feathers and Monkey Business with the Marx Brothers and as the co-star
of a series of “shorts” where she was teamed with her
best friend, Zasu Pitts(4). Todd also took on more dramatic roles
and acted opposite such legends as Gary Cooper, Randolph Scott and
Humphrey Bogart.
Todd’s
rise to stardom vaulted her into the fast lane of Hollywood society
and she quickly gained a reputation as a ferocious “party
girl.” She married Pasquale (“Pat”) De Cicco,
who billed himself as an “agent,” but who was widely
known as a pimp and a bootlegger(5) , in 1932. It was common knowledge
that De Cicco did not treat his wife particularly well and, amid
rumors of abuse, the couple divorced in 1934.
At about that
time, Todd opened up her sidewalk café and it quickly became
a fashionable restaurant that catered to a well-heeled clientele.
Todd moved into an apartment above the café with her lover,
co-owner and movie director, Roland West. It was in the garage of
their apartment –which was located up the stairs and on the
street above the café – that Thelma Todd’s body
was found slumped behind the wheel of her brown 1933 Lincoln phaeton
automobile on Monday morning, December 16, 1935 by May Whitehead,
Todd’s personal maid (6). Todd had succumbed to carbon monoxide
poisoning sometime early in the morning of the previous day, Sunday
the 15th. Although her death was officially ruled an “accidental
suicide,” rumor and speculation willed it otherwise. What
actually took place at the café during the very early hours
of that Sunday morning has remained one of Hollywood’s most
enduring mysteries.
Over the years,
numerous theories have been advanced to explain Todd’s death.
Reports that evidence at the scene pointed to foul play were widespread
immediately following the discovery of her body. Allegedly, there
was blood around Todd’s mouth and a smudged handprint was
seen on the door of her car. What’s more, if Todd had ascended
the celebrated stairs up to the garage at 4 A.M. on Sunday morning
after being dropped off at the café by her chauffeur, how
could it be that her dress shoes showed no signs of dirt, sand or
scuffing? (Recall Marlowe’s rather disheveled condition upon
reaching the top of those same stairs!) All of that coupled to the
fact that, at the time of her death, the starlet’s blood alcohol
content was .13% have led some to suspect that she was subdued then
left in the car to die by a person or persons unknown(7).
The idea that
Todd was murdered is reinforced by the fact that, according to some
sources, local mobsters who were already gaining influence in various
Hollywood and studio circles at the time also had designs on the
beachside café as the site of an illegal gambling casino.
Lucky Luciano’s mob, it was said, was attracted to the establishment
because of its somewhat remote location and ready-made wealthy clientele.
According to that scenario, Todd was murdered when she refused the
proverbial offer “you can’t refuse.”(8)
Interestingly,
anecdotal evidence has been advanced to suggest that gambling, albeit
on a very small scale, was already taking place at the café
at the time of Todd’s death. Rudy Schafer, whose father was
the manager of Thelma Todd’s Sidewalk Café, contends
that slot machines, roulette wheels and card tables were in place
in some of the rooms above the restaurant. They were there, Schafer
recalls, for the informal use of Thelma and her guests. If what
Scafer says is true, then the issue was one of gangsters wishing
to take control of and to expand an existing operation rather than
trying to start one from the ground up(9). Although it was also
reported that Todd had received threatening letters and that she
had seemed fearful and somewhat ill at ease in the days and weeks
prior to her death, none of this has ever been established as more
than popular gossip. Related speculation that Todd was despondent
during this time and that thus she may have willfully taken her
own life has likewise never risen above the level of conjecture.
In 1987, over
fifty years after the fact, two Los Angeles journalists, Marvin
Wolf and Katherine Mader, made the startling claim that they had
solved the Thelma Todd case. According to Wolf and Mader, Ronald
West was himself inadvertently responsible for his girl friend’s
death. The two writers further asserted that the authorities knew
all along what had actually happened on that Sunday morning in 1935.
Working in collusion with such Hollywood luminaries as Hal Roach
and Joe Schenk (founder of 20th Century Productions and one of the
most powerful people in the industry), Los Angeles County Sheriff’s
and LAPD officials engineered one of the most successful cover-ups
in the history of Tinseltown. The overriding concern of all involved
was to avoid the same type of scandal and financial ruin that had
ensued with the Fatty Arbuckle debacle in 1921. After all, as Wolf
and Mader put it, virtually everyone had “ … an institutional
interest in the film industry’s financial health … {at
that time} … The movies were the nation’s fifth largest
industry and LA County’s most visible … With the Fatty
Arbuckle imbroglio still a vivid memory, avoiding yet another movie
scandal became … {their} … chief concern.”(10)
As reconstructed
by Wolf and Mader, Todd arrived back to her apartment at about 4:00
A.M. on Sunday morning after attending a celebrity dinner at the
famed Trocadero nightclub on Sunset Strip. Infuriated by the fact
that she had come home so late, West locked Todd out of her apartment.
Todd then ascended the long stairwell up to the garage. Her intention
was either to stay warm (it had been a chilly night) by starting
her car or to drive to a friend’s house where she might be
able to go to bed and sleep it off. In either case, West followed
her up the stairs and, without any rational thought as to the consequences
of his actions, he locked the door to the garage after Todd had
entered it and had started her car. His object was not to harm Todd
but, rather, to teach her a “lesson.”(11) After daybreak,
West returned to the garage in order to confront Todd. At that point
he discovered her body and thus set in motion a conspiracy of silence
that lasted more than half a century.
If Wolf and
Mader are correct, and their scenario is supported by the testimony
of Hal Roach himself, one of the architects of the cover-up, then
the story of Thelma Todd’s death is a classic Hollywood tale
of anger, jealousy, hubris and manipulation. Whatever really took
place on that fateful early morning in 1935, when Philip Marlowe
made his fictional climb up those same steps (12)\on his way to
Lindsay Marriott’s home in 1940, he was also taking a walk
back into the dark heart of Hollywood’s past. Here was a story
featuring mobsters, movie moguls, jealous lovers, gamblers and beautiful
starlets. Not even Chandler, who trod that territory more meaningfully,
more poignantly than anyone else before or after, could have done
any better himself. This is one of those rare instances where the
truth, whatever it actually happens to be in this case, is indeed
stranger than fiction!(13)
Footnotes:
(1)Raymond Chandler, Stories & Early Novels (New York: The Library
of America, 1995), p.799.
(2)Ibid.,
pp.799-800.
(3)see “The Mysterious Death of Thelma Todd” on the
web at: http://www.usc.edu/isd/archives/la/scandals/todd.html.
(4)see the fan site: http://homes.acmecity.com/movies/grip/267/thelmatodd.html.
(5)
Ibid
(6)Marvin
J. Wolf & Katherine Mader, “Solved! Thelma Todd’s
Death” on the web at:
http://people.we.mediaone.net/marvwolf/todd_frameset.html
(7)
http://usc.edu/isd/archives/la/scandals/todd.html.
(8)
see Wolf & Mader
(9)
see “The Schafer Mystery” at: http://homes.acemecity.com/movies/grip/267/thelmatodd.html
(10)
see Wolf & Mader
(11)
see Wolf and Mader
(12)
Photographs of the hillside stairway and of the sidewalk café
can be found in: Elizabeth Ward & Alain Silver, Raymond Chandler’s
Los Angeles, reissue edition (New York: Overlook Press, 1997)
(13)
For a fictionalized treatment of the Thelma Todd case featuring
none other than Philip Marlowe, see “The Perfect Crime”
by Max Allan Collins in: Byron Preiss, editor, Raymond Chandler’s
Philip Marlowe (New York: ibooks/Simon & Schuster, 1999), pages
3-23.
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